Photo: Melissa Coffell and her grandson Zaiden Higdon, 6, look over an Abominable Snowman display, including a replica of the mask made for the History Channel show “MonsterQuest.”
Most compelling are clips of murky filmed sightings; eerie audio recordings of whoops and knocks, said to be Bigfoot’s mode of communication; and castings of footprints and scat, some of which are on loan from the University of Idaho.
Exhibits focus on past expeditions, many of them led by scientists and anthropologists. Displays examine the various tools of the trade, which grow more sophisticated over time, from two-way radios to thermal cameras capable of capturing body heat images in the dark.
Photo: Visitors observe video while looking over eyewitness sketches of Bigfoot.
Plastered on the walls are maps of sightings all over the world, including the backwoods of North and South Georgia, and there are explorations of the many names and forms that Bigfoot takes: Skunk Ape of Florida, Wendigo of Canada, Yeti of the Himalayas and Yowie of Australia are but a few.
While the exhibits strive for an academic tone, the museum also pokes fun at the goofy, pop culture aspect of the mythology, particularly in the gift shop where Bigfoot socks and refrigerator magnets are sold alongside DVDs of B-movies on the topic.
But make no mistake: Bakara is a believer.
“In the ’70s, they had such good documentaries about Bigfoot on ABC and NBC that were so well done,” he says. “A lot of them included scientists and anthropologists. At that time, it was totally legit. It was a serious thing. It’s not like today when everybody laughs about it. But for me, it’s still a serious thing.”
Bakara went on his first expedition in 2010, searching for the Swamp Ape in Tallahassee, Fla. Since then, he’s been on countless expeditions, and has had two encounters, he says.
“I was charged by one in the Green Swamp East near Tampa in 2013.”
Please confirm the information below before signing in.